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Otha Major Otha Major is a beatboxer who doesn't spit. Every now and then an artist comes along who stands out. Whether labeled as hip-hop, world, or experimental music is of really no importance because this style defies the generic limitations rigoriously imposed within the confines of conventional genres. The premise is simple, yet effective — one microphone, one mouth, one mind. Under most circumstances this would be a recipe for disaster, but here the result is an intricate soundscape composite of a vast variety of tones, rhythms, and feels. Learn about it. Indigenous to West Seattle’s Delridge neighborhood, Otha has been working on his unique brand of vocal percussion since the ripe age of four. Over time his style has evolved from a toddler's awkward noises to polyrhythmic explosions and improvised orchestrations of a grown man. The outcome of twenty years of training is reflected in the groove onslaught of Otha Major's live performances. Those who have witnessed Otha perform in Seattle venues such as at “The Nation,” “Mr. Spot's Chaihouse” and various open mikes can vouch that the live performance is something to be experienced to be believed. These sounds personify the multitude emotions one experiences in a lifetime, including joy, ecstasy, sadness, humour and happiness. Besides a variety of vocal bass and treble sounds, everyday noises, such as coughs, moans, and even flatulence, are employed to rock your speakers. Much of the energy of Otha's live performances is captured on his solo album, called "Otha's 74 minutes", available for purchase from the artist directly. Back |
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